By Rob Huisman
Introduction
In
preparation to the surrender of the Japanese army in Asia Pacific, the
Netherlands Indies government in exile received permission by Royal decree in
1943 to produce new paper money. This new paper money, NICA – short for
“Netherlands Indies Civil Administration” – was printed in the USA and
afterwards stored in Australia until it could be brought into circulation after
the Second World War to help the Dutch authority to re-establish itself in the
Netherlands Indies. The local Indonesians called this money the Red Money (Uang
Merah).
The actual
introduction of the NICA money knew many political and practical obstacles. More than a
year before the Japanese surrender and before the end of the Second World War,
the money was already put into circulation in the never occupied South of New
Guinea, subsequently in the North of New Guinea and then in the liberated
areas; those parts of the Netherlands Indies that became (temporarily)
completely under Dutch rule.
On August
17, 1945 - two days after the Japanese capitulation - Soekarno declared the
independence of the Republic Indonesia. The Indonesian Republican government
also had a plan to introduce and circulate their paper money as soon as
possible in order to practically support the revolutionary mindset. The
introduction of the White Money (Uang Putih) or ORI (Oeang Republik Indonesia)
would become an important obstacle for the introduction of the NICA money.
Roughly the Netherlands Indies were divided in three parts: one under Dutch
rule where the NICA money was put into circulation, one Republican part where
ORI money was made available and a third part where due to practical reasons
(read logistical problems) no ORI money could be introduced and local and
regional authorities and companies produced and circulated their own paper
money.
During the
period 1946 – 1948, the Republican government issued four emissions paper money
(ORI I – October 17, 1945, ORI II – January 1, 1947, ORI III – July 26, 1947 en
ORI IV- August 23, 1948). The first production run (approx. 3 metric tons) that
was printed since early 1945, was confiscated by the British Allied Forces mid
January 1946. Reprinting was subsequently done at Kolff printing works in
Malang and eventually put into circulation in October 1946 after an extensive
introduction campaign. This concerned front-page advertisements in the
Republican newspaper “Merdeka” on October 26, 1946 and the spread of pamphlets
about the upcoming introduction (see picture 1). It is assumed that the seized
first production run still got into circulation some time later.
The
circumstances under which the ORI paper money was produced were often poor. For most
paper money collectors the ORI notes are not very attractive collection items. The poor
paper quality, printing, artwork and design and the differences in quality,
color and finishing within the same series make ORI notes an under-appreciated
and unpopular area of collecting. However when one focuses on this interesting
period of the colonial history of the Netherlands and the struggle for
independence of Indonesia, a new world of discoveries and surprises opens up.
Most
collectors will have had ORI notes in their hands and must have noticed the
large variety of serial identifications and serial number constructions. Some notes,
especially the lower denominations have no or very simple serial
identifications, often only consisting of a few characters. The higher
denominations carry serial identifications that consist of 5 to 6 numbers in
combination with several characters.
The fact
that the quality of the ORI money was rather poor, did at that time already
lead to the conclusion that counterfeiting was relatively easy. Knowing that
forgeries were a serious threat to the trustworthiness of the ORI money, the
Republican financial authority looked for solutions to withstand
counterfeiting. One of the measures was to apply secret codes to the serial
identification through which the official authorities were able to easily
identify fake notes.

Picture 1: pamphlet announcing the new ORI
paper money
Many years of collecting, many different varieties of ORI notes, lots of contacts with fellow collectors and many hours of study and research, eventually resulted in the fact that certain patterns could be recognized. Following is a description of how I got to the results mentioned later on in this article.
During one of my many e-mail exchanges with my friend UnO from Indonesia, he wrote that the late Adi Pratomo, a senior Indonesian paper money collector, once mentioned that there was a relation between the characters in the serial identification and the textual description of some ORI notes. Two examples were specifically mentioned. The 100 Rupiah 1947 (KUKI H-207, Pick 29A) and the 400 Rupiah 1948 (KUKI H-212, Pick 35). For the 100 Rupiah note there should be a relation between the serial number range and the textual description of the note. The description of the note was mentioned as “Hundred Tobacco” or “Seratus Tembakauan” in Indonesian because the note shows a picture of a tobacco plantation. According to UnO, Adi Pratomo also mentioned that there was a link between the first number and the first character in several ORI serial identifications. With this basic and incomplete information I started a journey of several years to figure out whether there was any truth in these suggestions. Since this Pick 29A note is pretty rare (I had two in my collection at the start and I knew of another three in another collection) I had not much material to start with. So, for several years I tried to collect as many ORI notes as possible and started to record information and collect scans of ORI notes in auctions, catalogues, other collections, etc., etc. Eventually I ended up with verifiable information about more then 30 Pick 29A notes and spent evenings and weekends puzzling to try and establish a link between the characters in the serial number and the “Seratus Tembakauan” description.One of the Pick 29A notes in my collection has the serial
identifications 056294 UA EZ. The structure of the serial identification of all
other notes in this series is the same: six numbers and four characters. My
initial observation was that the serial number always starts with a 0 (zero)
and the serial number was made up of 10 ranges (000001-009999, 010000-019999,
etc., etc.). Furthermore, each range had a unique relation with the first of
the four characters. The “U” in my own note had a fixed relation with the range
050000-059999.
The next step was to find the link between this knowledge and the
“Seratus Tembakauan” description. I had 10 different characters for each range
and a textual description of 17 characters. Several characters matched but
there also were several equal characters in the description, like the “e”, “s”
and the “a”. In the process of trying to find the link I spent many hours
sorting the numbers, creating tables looking at the information from different
angles, but failed to make a solid match. Then, after putting the matter to
rest for some days, all of a sudden it appeared to me that if I eliminate the
double characters (left to right) from the description, I have 10 characters.
“Seratus Tembakauan” would then become “seratumbkn” and those 10 characters
match with the characters that are unique to each of the 10 serial number
ranges. Eureka!
Actually, I was pretty excited with these findings and I looked at the
Pick 35 note and found that the same principle applied to this serial
identification. Now the real work began and I started to study all the other
ORI notes for similar hidden constructions. The challenge was that I had no
clues for the textual description in Indonesian for any of the other ORI notes.
Therefore I took the approach of reverse-engineering. I had collected many different
ORI notes and I was able to reconstruct the description of the Pick 30 note
also (“two hundred fifty” or “Dua Ratus Lima Puluh” which becomes “duartslimp”
after eliminating the double characters).
During my reverse-engineering project, I was able to establish the proof that
most other serial identifications of ORI notes also have hidden relations. Most
often there is a fixed link between the serial number and one of the characters
in the serial identifications, however in some cases there is a relation
between the characters only.
An interesting result of these hidden codes is that one can draw conclusions about the number of issued notes of a specific series. The Pick 29A for example, can only have been issued in a maximum quantity of 99.999 since there are 10 ranges (one of 9.999 and nine of 10.000) and they only occur with a specific unique character. Although this quantity seems very low for the huge area where they were distributed, the only possibility to issue more notes is to produce notes with the same serial identification. I have not found any proof of this, but there are rumors that this was the case for ORI notes.
The reason for the Republican financial authority to embed secret codes in the serial identification was of course to easily recognize falsifications. Based on an earlier and more limited publication of this article in the commemorative 20th anniversary book of the Dutch IBNS chapter in 2006, I received several reactions from collectors that their suspicion about some of their ORI notes was now confirmed and they removed these falsifications from their collections or at least marked them as false. In most responses I sensed some disappointment; the truth is tough and indeed many forgeries of ORI circulated and were sold being genuine to collectors in the past years.Unfortunately, not all falsifications can be identified based on my
findings. In the case that forgeries were produced carrying the same serial
number identification as the original notes, other indications need to be used
to determine notes being false.
The
following overview with conclusions and assumptions, although based on a unique
quantity of material and research, is just an interim score. Further
information, more research and new material might result in other visions and
new insight.
Emission Oeang Republik Indonesia I (ORI I)
(White money or Uang Putih), Jakarta, October 17, 1945, A.A. Maramis
½ Rupiah, October 17, 1945 (KUKI H-193, Pick
16)
The serial identification of this note consists of six numbers and two characters. The figure with six numbers occurs with a first number 0, 1, 2, 3 or 4.
The two
characters are always capitals. The first character is an L, M, N, O, P, R, S
or T.
The second
character is a P, R, T, U, V, W or X. The “X” is often a little smaller than
the usual character size.
1 Rupiah, October 17, 1945 (KUKI H-194, Pick
17)


Picture 2: the two different serial
identifications
This note occurs with two different serial identifications. One
identification with only two characters (capitals) and the other identification
with a six number figure and two characters, where the characters occur in
combinations of two capitals or one capital and one lower-case.
The serial identification with six numbers and two characters has a pattern where there is a fixed relation between the first number and the first character as follows:
|
1st number: |
0 |
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
9 |
not used |
|
1st character: |
X |
D/E/F |
K/L/M |
R/S/T |
Z |
A/B/C |
G/H/I |
N/O/P |
U/W/V |
Y |
J/Q |
5 Rupiah, October 17, 1945 (KUKI H-195, Pick
18)
The serial
identification of this note has two varieties: six numbers and two characters
or six numbers and three characters. In the first variety, both characters are
capitals. In the second variety, the first character is always a capital, the
second and third character are always lower-case.
Both serial identifications show a fixed pattern whereby there is a fixed relation between the first number and the first character, as follows:
|
1st number: |
0 |
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
9 |
not used |
|
1st character: |
X |
D/E/F |
K/L/M |
R/S/T |
Z |
A/B/C |
G/H/I |
N/O/P |
U/W/V |
Y |
J/Q |
10 Rupiah, October 17, 1945 (KUKI H-196, Pick
19)
This note
has two different serial identifications: six numbers with two characters and
six numbers with three characters. The two character variety has a first
character that is always a capital and a second character that is either a
capital or in lower-case. The second character variety with three characters
exists with the first two characters being capitals and the third character
always as lower-case. This third character is always the same letter as the
second character.
Both the first variety and the second, have a pattern whereby there is a fixed relation between the first number and the first character, as follows:
|
1st number: |
0 |
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
9 |
not used |
|
1st character: |
X |
D/E/F |
K/L/M |
R/S/T |
Z |
A/B/C |
G/H/I |
N/O/P |
U/W/V |
Y |
J/Q |
100 Rupiah, October 17, 1945 (KUKI H-197, Pick
20)
The serial
identification of this note consists of 5 numbers and two characters (capitals)
and there is a fixed relation between the first number and the first character,
as follows:
|
1st number: |
0 |
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
9 |
not used |
|
1st character: |
X |
D/E/F |
K/L/M |
R/S/T |
Z |
A/B/C |
G/H/I |
N/O/P |
U/W/V |
Y |
J/Q |
Many
forgeries exist of this note; in general the printing is less sharp, especially
the tie of Soekarno shows filling up between the lines. Also the serial
identification is printed in other varieties of red, either lighter or darker.
I have observed false notes in green color, however I have never found a
genuine green one of this 1945 issue.
Emission ORI II – Jogjakarta, January 1, 1947,
Sjafruddin Prawiranegara
5 Rupiah, 1 januari 1947 (KUKI H-198, Pick 21)
The serial
identification of this note has two varieties: six numbers and two characters or
six numbers and three characters. In the first variety, the first character is
always a capital, but the second character is a capital or lower-case. In the
second variety with three characters, the first character is always a capital,
the second character either a capital or lower-case and the third character
always lower-case.
Both serial
identifications show a pattern whereby there is a fixed relation between the
first number and the first character, as follows:
|
1st number: |
0 |
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
9 |
not used |
|
1st character: |
X |
D/E/F |
K/L/M |
R/S/T |
Z |
A/B/C |
G/H/I |
N/O/P |
U/W/V |
Y |
J/Q |
10 Rupiah, 1 Januari 1947 (KUKI H-199, Pick 22)
This note
has two different serial identifications: six numbers with two characters and
six numbers with three characters. The two character variety has a first
character that is always a capital and a second character that is either a
capital or in lower-case. In the variety with
three characters, the first two characters are always capitals and the
third character is always lower-case. This third character is always the same
letter as the second character.
Both the
first variety and the second, have a pattern with a fixed relation between the
first number and the first character, as follows:
|
1st number: |
0 |
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
9 |
not used |
|
1st character: |
X |
D/E/F |
K/L/M |
R/S/T |
Z |
A/B/C |
G/H/I |
N/O/P |
U/W/V |
Y |
J/Q |
25 Rupiah, January 1, 1947 (KUKI H-200, Pick
23)
This note
has a serial identification of six numbers and two characters. The first
character is always a capital , the second character is either a capital or
lower-case.
The first
character has a fixed relation with the first number, as shown in below table:
|
1st number: |
0 |
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
9 |
not used |
|
1st character: |
X |
D/E/F |
K/L/M |
R/S/T |
Z |
A/B/C |
G/H/I |
N/O/P |
U/W/V |
Y |
J/Q |

Picture 3: 25 Rupiah, January 1, 1947
100 Rupiah, 1 januari 1947 (KUKI H-201, Pick
24)
The serial
identification of this note has six numbers and two characters. The first
number is always “0” (zero). The first character is always a capital, but the
second character is either a capital or lower-case.
The first character only occurs in specific combinations with the second number, as follows:
|
2nd number: |
0 |
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
9 |
not used |
|
1st character: |
X |
D/E/F |
K/L/M |
R/S/T |
Z |
A/B/C |
G/H/I |
N/O/P |
U/W/V |
Y |
J/Q |
Emission ORI III – Jogjakarta, July 26, 1947,
A.A. Maramis
½ Rupiah, July 26, 1947 (KUKI H-202, Pick 25)
The serial
identification of the note consists of just two characters, printed twice on
the obverse.
The
following character combinations are known:
AD, AH, AL, AN,
AT, DA, KE, UL
2½ Rupiah, 26 juli 1947 (KUKI H-203, Pick 26)
This note
also has a serial identification of two characters only, printed on the right
upper and lower left quadrant of the obverse of the note.
The
observed character combinations are as follows:
AN, AT, BL, DA, DI, DJ, ER, IK, IN, KE, NE, PU, RA, RE, RI, SA, SI, TU

Picture 4: 2½ Rupiah, July 26, 1947
* There is a fake version of this note with the characters GA. This note
is printed in red and can be easily identified by the vertical line in the middle
of the design on the reverse. This line most likely results from copying a used
note with a vertical fold.
25 Rupiah, 26 juli 1947 (KUKI H-204, Pick 27)
Each note
of this issue carries the same serial identification (SDX1), which is printed
as part of the regular obverse print. It is believed that there are many
forgeries of this note. There is no specific method to clearly determine this
note as genuine or fake, although my opinion is that the sharper the printing,
the more chance it’s a real note. This can only be done if one has several
notes to compare.
50 Rupiah, 26 juli 1947 (KUKI H-205, Pick 28)
This note
has 6 numbers and two characters (always capitals) as serial identification.
The secret code of this note is within the fixed relation between the first number and the first character, shown in below table:
|
1st number: |
0 |
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
9 |
|
1st character: |
L |
M |
H |
S |
I |
A |
U |
D |
R |
K |
It is my
assumption that the first characters “lmhsiaudrk” have a specific relation to
the Indonesian description of this note, similar to the 100 Rupiah note (KUKI
H-207) which is described a little further in this article. Unfortunately I
have not yet been able to crack this code, however with obtaining more material
in future and more research, it is just
a matter of time.
Because the
method of linking one unique character to a specific range, it is safe to
conclude that the total number of issued notes is 999.999 at the maximum.

Picture 5: 50 Rupiah, July 26, 1947
100 Rupiah, July 26, 1947 (KUKI H-206, Pick 29)
Each note
of this issue carries the same serial identification (SDA1), which is printed
as part of the regular obverse print. It is believed that there are many
forgeries of this note. There is no specific method to clearly determine this
note as genuine or fake, although my opinion is that the sharper the printing,
the more chance it’s a real note. This can only be done if one has several
notes to compare.
100 Rupiah, July 26, 1947 (KUKI H-207, Pick
29A)
The serial
identification of this note consists of six numbers and four characters (two
sets of two).
The secret
coding of this note is structured as follows:
The first
number is always a “0” (zero).
First
character:
This note
was issued with ten different number ranges (one of 9.999 and nine of 10.000),
each range has its own specific and unique character. Therefore ten different
characters were needed. The origin to these ten characters is the Indonesian
description of the note “Seratus Tembakauan” (Hundred Tobacco) because the note
has a nominal value of 100 Rupiah and shows a picture of a tobacco plantation.
When the double characters (left to right) are eliminated from the description,
it leaves 10 characters “Seratumbkn”.
Serial
number ranges and the first character:
|
Number
range: |
000001-009999 |
010000-019999 |
020000-029999 |
030000-039999 |
040000-049999 |
050000-059999 |
060000-069999 |
070000-079999 |
080000-089999 |
090000-099999 |
|
1st character: |
S |
E |
R |
A |
T |
U |
M |
B |
K |
N |
Second and
fourth character:
The second
and fourth character have a fixed relation. The second character is
alphabetically one character lower than the fourth character. When the second
character is an “A” then the fourth character is a “Z”. In order to prevent
confusion, the character “J” is omitted and the combinations “JI” and “KJ” are
not used. In stead the combination “KI” is used. Also the character “Q” is
omitted and the combinations “QP” and “RQ” are not used. In stead, the
combination “RP” is used.
Third
character:
The first
character only occurs in fixed combinations with the third character, as
follows:
|
1st character: |
S |
E |
R |
A |
T |
U |
M |
B |
K |
N |
|
3rd character: |
W |
F |
? |
? |
Y |
E |
C |
A |
N |
G |
Because the
serial number consists of ranges with their unique first character, it is safe
to conclude that a maximum number of 99.999 notes were issued.
250 Rupiah, July 26, 1947 (KUKI H-208, Pick 30)
The serial
identification of this note consists of six numbers and two characters.
The secret
coding of this note is structured as follows:
The first
number is always a “0” (zero).
First
character:
This note
was issued with ten different number ranges (one of 9.999 and nine of 10.000),
each range has its own specific and unique character. Therefore ten different
characters were needed. The origin to these ten characters is the Indonesian
description of the value of the note “Dua Ratus Lima Puluh” (Two hundred
fifty). When the double characters (left to right) are eliminated from the
description, it leaves 10 characters “Duartslimp”.
|
Number
range: |
000001-009999 |
010000-019999 |
020000-029999 |
030000-039999 |
040000-049999 |
050000-059999 |
060000-069999 |
070000-079999 |
080000-089999 |
090000-099999 |
|
1st character: |
D |
U |
A |
R |
T |
S |
L |
I |
M |
P |
Second character:
It is
unclear if there is a fixed relation between the first and second character.
The following combinations are observed:
|
1st character: |
D |
U |
A |
R |
T |
S |
L |
I |
M |
P |
|
2nd character: |
I/P |
D/F/I |
B/E/K |
E/I/S |
M |
C/O |
A/D/L |
O/P |
D/I |
S/X/Y |
Because the
serial number consists of ranges with their unique first character, it is safe
to conclude that a maximum number of 99.999 notes were issued.
There are
some known exceptions to the above coding. This concerns a number of notes that
were provided with a serial identification using a typewriter under special and
primitive circumstances (e.g. 036137 SQ)
Emissie ORI IV –Jogjakarta, August 23, 1948,
Drs. Mohammed Hatta
40 Rupiah, August 23, 1948 (KUKI H-209, Pick
33)
The serial
identification of this note consists of 4 (2x2) characters.
Reading
from left to right, the following character combinations are known:
AA PZ, AC PB, AG PF, AI UH, AL UK, AN UM, MB RA, MD RC, MF RE, MH RG, MK TI, MM TL, PP SO, PW SV
The second
and fourth character have a fixed relation. The second character is
alphabetically one character lower than the fourth character. When the second character
is an “A” then the fourth character is a “Z”. In order to prevent confusion,
the character “J” is omitted and the combinations “JI” and “KJ” are not used.
In stead the combination “KI” is used.
It is
likely that the character “Q” has been omitted and the combinations “QP” and
“RQ” were not used and in stead, the combination “RP” could have been used.
Unfortunately there are no notes known with these combinations, therefore proof
is not available.

Picture 6: 40 Rupiah, August 23, 1948
75 Rupiah, 23 augustus 1948 (KUKI H210, Pick
33A)
The serial
identification of this note consists of five numbers and two characters or six
numbers and two characters.
The code in
the two characters of the serial identification is build up as follows:
The early
notes of this issue (with 5 numbers) have the characters “MM”. Starting from
number 48587 (or earlier but not lower than number 29603) the second character
becomes an “A”. Subsequently the first character increases alphabetically from
“M” to “N”, then “P” etc., etc. In line with that, the second character also
increases alphabetically from “A” to “B”, “C”, “D” etc., etc. In this way the
following character combinations are formed:
MM, MA, NB,
OC, PD, QE, RF, SG, TH, UI
The
transition from 5 to 6 numbers happens in the “PD” character combination.
193218 UI is the highest known number. It cannot be ruled out that more
character combinations exist like VJ and WK, however these are currently
unknown to the author.
Since the
serial number consists of ranges with their unique character combination, it is
highly likely that a maximum number of 199.999 notes were issued.

Picture 7: 75 Rupiah, August 23, 1948
100 Rupiah, August 23, 1948 (KUKI H-211, Pick
34)
The serial
identification of this note consists of six numbers and four characters (two
sets of two).
The secret
coding of this note is structured as follows:
The first
number is always a “0” (zero).
First
character:
This note
was issued with ten different number ranges (one of 9.999 and nine of 10.000),
each range has its own specific and unique character. Therefore ten different
characters were needed. The origin to these ten characters is the Indonesian
description of the note “Seratus Tembakauan” (Hundred Tobacco) because the note
has a nominal value of 100 Rupiah and shows a picture of a tobacco plantation.
When the double characters (left to right) are eliminated from the description,
it leaves 10 characters “Seratumbkn”.
|
Number
range: |
000001-009999 |
010000-019999 |
020000-029999 |
030000-039999 |
040000-049999 |
050000-059999 |
060000-069999 |
070000-079999 |
080000-089999 |
090000-099999 |
|
1st character: |
S |
E |
R |
A |
T |
U |
M |
B |
K |
N |
Second and
fourth character:
The second
and fourth character have a fixed relation. The second character is
alphabetically one character lower than the fourth character. When the second
character is an “A” then the fourth character is a “Z”. In order to prevent
confusion, the character “J” is omitted and the combinations “JI” and “KJ” are
not used. In stead the combination “KI” is used. Also the character “Q” is
omitted and the combinations “QP” and “RQ” are not used. In stead, the
combination “RP” is used.
Third
character:
The first
character only occurs in fixed combinations with the third character, as
follows:
|
1st character: |
S |
E |
R |
A |
T |
U |
M |
B |
K |
N |
|
3rd character: |
W |
D |
P |
B/S |
Y |
X |
C/M/O |
U |
N |
G |
Because the serial number consists of ranges with their unique first character, it is safe to conclude that a maximum number of 99.999 notes were issued.
400 Rupiah, August 23, 1948 (KUKI H-212, Pick
35)
The serial
identification of this note consists of six numbers and four (2x2) characters.
The secret
coding of this note is structured as follows:
The first
number is always a “0” (zero).
First
character:
This note
was issued with ten different number ranges (one of 9.999 and nine of 10.000),
each range has its own specific and unique character. Therefore ten different
characters were needed. The origin to these ten characters is the Indonesian
description of the note “Ampat Ratus Tebuan” (Four hundred sugar-cane) because
the note has a nominal value of 400 Rupiah and shows a picture of sugar-cane
plants. When the double characters (left to right) are eliminated from the
description, it leaves 10 characters “Amptrusebn”.
Serial
number ranges and the first character:
|
Number
range: |
000001-009999 |
010000-019999 |
020000-029999 |
030000-039999 |
040000-049999 |
050000-059999 |
060000-069999 |
070000-079999 |
080000-089999 |
090000-099999 |
|
1st character: |
A |
M |
P |
T |
R |
U |
S |
E |
B |
N |
Second and
fourth character:
The second
and fourth character have a fixed relation. The second character is
alphabetically one character lower than the fourth character. When the second
character is an “A” then the fourth character is a “Z”. In order to prevent
confusion, the character “J” is omitted and the combinations “JI” and “KJ” are
not used. In stead the combination “KI” is used.
It is
likely that the character “Q” has been omitted and the combinations “QP” and
“RQ” were not used and in stead, the combination “RP” could have been used.
Unfortunately there are no notes known with these combinations, therefore proof
is not available.
Third character:
The first
character only occurs in fixed combinations with the third character, as
follows:
|
1st character: |
A |
M |
P |
T |
R |
U |
S |
E |
B |
N |
|
3rd character: |
W |
F |
P |
B/S |
Y |
X |
C |
L |
V/Z |
G |
There are
some authentic notes known of the serial number range 090000 – 099999 with a
first character “M” and a third character “G”.
There are
some known exceptions to the above coding. This concerns a number of notes that
were provided with a serial identification using a typewriter under special and
primitive circumstances (e.g. 055905 UL EK).
Because the
serial number consists of ranges with their unique first character, it is safe to
conclude that a maximum number of 99.999 notes were issued.
There are many falsifications of this specific note. Often these notes
have serial identifications that do not match the secret code. Most forgeries
occur with the combinations BK NI, EK MD, MD FC, UL FC and UL NR. Although some
of these character combinations match the secret code described above, these
notes mostly occur with serial numbers that fall outside of the specified
ranges. In some cases the serial numbers do match with the ranges, however this
should be considered as pure coincidence.

Picture 8: 400 Rupiah, August 23, 1948
(forgery)
================
Bibliography:- Collectplaza International Auctions B.V., catalogues of May 2005,
November 2005 and May 2006
- Java auction, catalogues of October 2, 2005 and August 5, 2006
- Banknotes and Coins from Indonesia 1945-1990, Yayasan Serangan Umum 1
Maret 1949 & Perum Peruri Jakarta
- Standard Catalog of World Paper Money, general issues, seventh
edition, volume two by Albert Pick (Pick)
- Katalog Uang Kertas Indonesia 1782-1996, Sugiana Handjaja, 1996 issue
(KUKI)
- Political Dimensions of the currency question 1945-1947 by Robert
Cribb
================
I would like to thank UnO for his friendship and exchange of
information and Hans van Weeren for challenging my findings and encouraging my
enthusiasm for collecting Indonesian and Netherlands Indies paper money.
The author,
Rob Huisman (mailto:info@uang-kertas.com)
would like to hear from anyone with more information about these ORI notes.