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(CLICK HERE FOR CURRICULUM VITAE)
Max Springer's first showing was in 1965 at the Jack Carr Gallery in Pasadena, California. At age 11 it was clear that he had a strong predisposition to art and composition.
Through the end of the sixties and throughout the 1970's, Max participated in many academic shows and State sponsored shows for young artists. He exhibited at San Gabriel High School, East Los Angeles Junior College, Pasadena City College, Art Center College of Design in Pasadena (attended by scholarship in 1971-'72), and Mount Palomar College, San Diego.
At the crescendo of his college days, abstraction in art led him to a new appreciation of music, which netted Max scholarships to study piano and electronic music privately under the tutelage of Zina Louie and Vernon Overmeyer.
The combination of the Arts became important for Max in the late 1970's and early 1980's. Music and painting were integrated more and more by Mr. Springer during shows in San Diego starting in 1980. The Club (San Diego) sponsored Mr. Springer's show "Night Dreams", which brought painting into the club scene of San Diego for the first time.
In 1981 and 1982 Max helped C.O.M.B.O. (the main San Diego Arts funding project) by volunteering his graphic work for their posters. In 1982 Max brought his knowledge of the media to bear fruit by staging "Drag Queens and other Things" at the Parker-Mumford Gallery. This show brought together painting, cross-dressers, San Diego press, and the public, which would normally disdain any such contact with 'Bohemians'. Ten minutes of prime time news coverage, a page in the Union Tribune comparing his paintings to works by Edward Hopper and Dianne Arbus, and the purchase of the original painting for the opening's poster by Pat Clark (vice-console of the American Embassy in Paris), proved Max's point that he was aware of the pulse of the art world from California to Paris.
Max founded Art Ventures West in 1982 and his dream of a new form of ateliér was made real. Working with Art graduates from the University of California-San Diego, Max started working on environmental pieces designed to elevate given architectural and natural spaces. Research on the content of these works involved active input from some of the best psychiatric minds in America (of course they collect Max's work!), including Dr. Fritz Klein, M.D., Dr Bruce Voeller, PhD, Stephen Gilligan, PhD, and Chris Beletsis, PhD. The point of all this activity was to distill current psychiatric outlook into symbolic forms and process the results into an elevation of the environment. "Bringing our unconscious into the light" is the new axiom Max laughingly avows, "and it is working!"
His control of the formal portrait in both aquarelle and oil paint brought many commissions and in 1983 he completed a portrait of Mayor Roger Hedgecock which is currently in the collection of Cindy Hedgecock. Over the past years, his work has been bought for the private collections of many important art buyers all over the world.
Growth of Art Ventures West led to a move of the main studio to Europe where Max currently paints in his studio in Utrecht, The Netherlands. The first European showing of his work was at De Kleine Akadamie in Amsterdam in April of 1991. This was the very first showing of a part of his current work Sitko: a major, complex series dealing with Native American vision, the wolves within us all, calendar systems and the death of a culture.
Two shows were held in the fall of 1991 in The Netherlands. The "Sitko" show (wolves) was shown in October at the Voorheen Museum voor Hedendaagse Kunst in Utrecht while his Mudmen series was shown in November and December at the Rob Gallery in Amsterdam.
This biography is in progress, check back later for more complete details and updates.
"The impact of our rather new world culture concerns Max's new art. He wants to console us and take away the fear. His environmental work brings the tired eye to take wing and fly to the music of the child within us. He embraces the polyphony inside us all and reaches out to console all members, to encourage the song we all have inside. Over the years, he has learned to heal and to father open ideas not only in himself, but in all minds around him...in the process acquiring a remarkable confidence and ability to show us all where to look."